{"id":59,"date":"2014-10-13T20:04:02","date_gmt":"2014-10-13T20:04:02","guid":{"rendered":"https:\/\/melissamoorer.com\/?page_id=59"},"modified":"2021-05-28T17:50:25","modified_gmt":"2021-05-28T17:50:25","slug":"all-the-fiction","status":"publish","type":"page","link":"https:\/\/melissamoorer.com\/?page_id=59","title":{"rendered":"Writing"},"content":{"rendered":"

Good Girl<\/a>, flash fiction, is up at Matchbook Lit<\/em>.<\/p>\n

maybe even the sea<\/a> is CNF at Longleaf Review<\/em>.<\/p>\n

A Fix On Heaven, Dog Lover, and Things Manufactured<\/a> are up at Wyvern Lit.<\/em> Warning: all three flash pieces are haunted.<\/p>\n

Cemetery Soup\u00a0<\/a>creative non-fiction at Cheat River Review<\/em>.<\/p>\n

Haint<\/a>\u00a0is a creative non-fiction flash piece at Tin House<\/em>‘s Flash Fidelity.<\/p>\n

\u2018A Wrinkle in Time\u2019 Is a Radical Reimagining of What It Means to Be a Hero<\/a>\u00a0 How Ava Duvernay\u2019s diverse casting of a \u2018Wrinkle in Time\u2019 gives the novel new meaning. This essay was featured on Medium.<\/span><\/p>\n

end at the skin<\/a> is a very odd prose\/poem at Strange Horizons<\/em> about bodies, Otherness, multiverse and science.<\/p>\n

Shitstorm<\/a>\u00a0 a creative non-fiction piece at Hobart<\/a>.<\/p>\n

it was never like this, it was always like this<\/a>, a short fiction at\u00a0Cosmonaut’s Avenue<\/a>.<\/p>\n

wormhole is just another word<\/a> is micro fiction at The Offing<\/em>.<\/p>\n

Peephole<\/a> is flash at Hobart<\/em>.<\/p>\n

The Get-Get Man<\/a>\u00a0in Fireside Fiction<\/em>, selected by guest editor, D.J. Older.<\/p>\n

The Price: A Queer Daughter of a Queer\u00a0Mother, Patricia Highsmith, Carol, and confronting family\u00a0history<\/a>\u00a0at Electric Literature<\/em>. An essay.<\/p>\n

A new flash piece, “How People Leave, II,” that’s really a sequel to How People Leave<\/a> over at Broad! zine.<\/a><\/p>\n

This Writer’s on Fire<\/em> series (2015) at The Butter<\/a>\/The Toast:\u00a0Kima Jones<\/a>\u00a0| Gabrielle Bellot<\/a> | Jess Zimmerman | Naomi Jackson <\/a>| MariNaomi<\/a> | Sarah Rose Etter<\/a> | Rachel Eliza Griffiths <\/a>| Rion Amilcar Scott<\/a> | Alice Sola Kim<\/a> | xTx<\/a> | Wendy C. Ortiz <\/a>| Sofia Samatar<\/a> | Carmen Maria Machado<\/a> | Lisa Mechum<\/a> | Cathy Linh Che<\/a> | D\u00e9sir\u00e9e Zamorano<\/a> | Mecca Jamilah Sullivan<\/a> |<\/p>\n

“Beauty Sleep”<\/a> (flash\/poetry) \u00a0in FLAPPERHOUSE #6<\/a> (2015).<\/p>\n

Made Light<\/a>\u00a0(short fiction) at The Future Fire<\/em>, 2014. With awesome illustrations by Eric Asaris<\/a>. Reprinted in Heiresses of Russ 2015<\/a>, editors Jean Roberta and Steven Berman, Lethe Press.<\/p>\n

A Theory of Lightning and Green<\/em><\/a>\u00a0(flash fiction) published by the Northville Review<\/em>.<\/p>\n

Falling Bodies to Light<\/a>\u00a0(short fiction) published by Hot Metal Bridge<\/em>. (also printed in their Best of 2010<\/em> and was a\u00a0storySouth Million Writers Award
\nNotable Stories of 2009.<\/p>\n

How People Leave<\/a>\u00a0(flash fiction) was published by Vestal Review<\/a> and reprinted in their Cream of the Flash<\/em>, Issue 21, 2005. Nominated for a Pushcart Prize.<\/p>\n

“Known Forms or How the Aliens Stole My Clone Babies for Jesus,” a story \u00a0about parthenogenesis, not aliens, was first printed in Say…What’s the Combination<\/em>, Issue #4, edited by Christopher Rowe and Gwenda Bond.<\/p>\n

The Third Kind of Darkness<\/a>\u00a0(short fiction) was published by LCRW<\/em>, issue #20, edited by Gavin Grant and Kelly Link.<\/p>\n","protected":false},"excerpt":{"rendered":"

Good Girl, flash fiction, is up at Matchbook Lit. maybe even the sea is CNF at Longleaf Review. A Fix On Heaven, Dog Lover, and…<\/p>\n

Continue readingWriting<\/span><\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":7,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry","entry"],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/melissamoorer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=59"}],"version-history":[{"count":9,"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":425,"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/pages\/59\/revisions\/425"}],"up":[{"embeddable":true,"href":"https:\/\/melissamoorer.com\/index.php?rest_route=\/wp\/v2\/pages\/7"}],"wp:attachment":[{"href":"https:\/\/melissamoorer.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}